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|  | |  | | | Stan Getz & The Oscar Peterson Trio: The Silver Collection
(Audio CD)
by Stan Getz | | | | | SKU:
74702 | | In Stock | | Availability:
Usually ships in 1 business days | | | | | | Limited 180gm vinyl repressing. What we have here is not a good quartet, but an excellent one. In fact, it is the result of a well rehearsed trio: Oscar Peterson's celebrated unit with guitarist Herb Ellis and bassist Ray Brown, plus the beautiful sound of Stan Getz's tenor sax. Peterson and Getz display their truly creative interplay on these sides. This album constitutes their only studio album in a quartet format. The absence of drums adds a magical atmosphere to the warm sound of Getz s saxophone on the ballads, while on the swing tunes, Peterson s skill with his left hand combined with Ellis rhythm guitar work leave no free space for a drummer. Pan Am Records. | | | |
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| | Product Details | | Audio CD Release Date: | October 25, 1990 | | Studio: | Polygram Records | | Number Of Discs: | 1 | | Format: | Extra tracks, Original recording remastered | | Average Customer Rating: |  based on 37 reviews |
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| | Track Listing | | 1. | I Want To Be Happy | | 2. | Pennies From Heaven | | 3. | Ballad Medley: Bewitched, Bothered, And Bewildered/I Don't Know Why I Just Do/How Long Has This... | | 4. | I'm Glad There Is You | | 5. | Tour's End | | 6. | I Was Doing All Right | | 7. | Bronx Blues | | 8. | Three Little Words | | 9. | Detour Ahead | | 10. | Sunday | | 11. | Blues For Herky | |
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| | Customer Reviews | Average Customer Review: ( 37 customer reviews )
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Most Helpful Customer Reviews
89 of 90 found the following review helpful:
A dream quartet. Nov 18, 2002
By George H. Soule
This CD presents a very important collaboration. Stan Getz may be the most lyrical tenor saxophone player to have ever graced the face of the earth. Only Lester Young comes close. Prez modeled his sound on that of Frankie Trumbauer's C-melody saxophone, and Getz' model is Prez. Both of them transcend Trumbauer's syrupy improvisations. Getz' tone and the lyricism it supports are evident. All of this is for context, of course. This recording is truly a major musical event. It was on a par with Lester Young's famous collaborations with Teddy Wilson and Oscar Peterson. During this 1957 recording session, all of which is on the CD, Peterson's trio and Getz were more than comfortable with one another, and their mutual musical respect yielded classic performances . The cooperation is evident in Getz' solo on "I Want to Be Happy," a model of precision and lyrical invention. Peterson's solos are equally impressive; there's no unnecessary embellishment or decoration, and he swings powerfully. The long ballad medley--"Bewitched, Bothered, and Bewildered," "I Don't Know Why, I Just Do," "How Long Has This Been Going On?", "I Can't Get Started," and "Polka Dots and Moonbeams"--features fine solos by Getz and Peterson as well as Herb Ellis on guitar and Ray Brown on bass. In the interplay between the trio and Getz in such numbers as Getz' "Bronx Blues." the quartet sounds like a permanent group. In "Three Little Words" Ellis sets down a solid rhythm and Peterson comps behind Getz' opening solo before delivering an eloquent statement of his own which Getz answers with equal grace. The Getz-Peterson collaboration is particularly appealing on Ellis' "Detour Ahead," a prime instance of their treatment of ballad material. On "Sunday" Ray Brown's persistent bass and Ellis' percussive guitar support Getz admirably. The quartet even approximates a rhythm 'n blues song with Getz' "Blues for Herky." It's not every day that you hear Herb Ellis playing blues guitar with Oscar Peterson doing boogie woogie and Stan Getz blowing like he was in a jump band. But here it is, and it comes as a surprise bonus with some really superb jazz.
35 of 35 found the following review helpful:
Stan + Oscar = Great music!! Dec 03, 2005
By Bomojaz
This was recorded at the tail end of Stan's "California period" (1953-57), after which he would spend much time in Europe before returning to the States and establishing a base in NYC. His famous Lestorian sound, cool and lyrical, was fully established, and he loved nothing more than (and was better than just about everybody else at) playing the Great American Songbook at medium to medium-up tempos and swinging the daylights out of it.
On this CD he joins up with the Oscar Peterson Trio (Peterson (p) Herb Ellis (g) Ray Brown (b), a group that also was no stranger to the Songbook alluded to above. Stan's tone is a tad huskier than usual and deeply melodious. The first tune on the CD (I WANT TO BE HAPPY), which according to matrix numbers looks like it was the last tune recorded, is interesting in the way Peterson inspires his sidekick: taken up-tempo, Getz has the first solo spot, and he's very relaxed and sounding as if he's happy with a good day's work, but knowing they're at the end of the session, no point in sweating it; then Peterson comes on and takes a wailing solo like there's no tomorrow. Getz solos again, but this time he's on fire, inspired by Oscar's take-no-prisoners approach, and lays down his best solo on the CD. That's genius at work, from both men.
But there are many highlights on this excellent CD. PENNIES FROM HEAVEN is in a medium groove and is all Getz - very nice. TOUV'S END, based on the chords of SWEET GEORGIA BROWN, is an interesting tune and features an excellent Herb Ellis solo. BRONX BLUES, a slow blues, has a strange tag-on final chorus initiated by Oscar that sounds like he blew the cue to finish where it was supposed to. (The other blues on the CD, BLUES FOR HERKY, is a medium boogie blues, and is not exceptional.) THREE LITTLE WORDS contains a wonderful stop-time chorus by Stan near the end. And Stan's beautiful melodic playing is most obvious on the slow ballad I'M GLAD THERE IS YOU.
This CD is a great one for Stan during a period when he was producing some of his greatest work. Not only a must-have CD for Getz (or Peterson) fans, but a welcome addition to anyone's jazz CD library. It will get lots of play time, believe me.
46 of 48 found the following review helpful:
IT JUST DOESN'T GET ANY BETTER THAN THIS! Sep 03, 1998
GETZ RECORDED WELL OVER ONE HUNDRED ALBUMS, AND I'D RATE THIS ONE AMONG THE BEST OF HIS BEST. I'VE WRITTEN THREE TRANSCRIPTION BOOKS ON STAN GETZ'S MUSIC, AND THIS ALBUM IS AS EXCITING ON THE 10,000TH LISTENING AS IT IS ON THE FIRST!! IT'S A GREAT REPRESENTATION OF LATE 1950'S GETZ STYLE BEFORE THE BOSSA NOVA PERIOD.
19 of 19 found the following review helpful:
Thoroughly enjoyable jazz gem Dec 23, 1999
By Emmett T. McQueen
The Oscar Peterson Trio never sounded so good. What a beautiful blending of melody and rhythm this group has. An atomic clock could be set with what Oscar, Ray and Herb do. The addition of Stan Getz's melodic ideas makes this CD a true joy. One gets the impression from how Oscar sometimes starts his solos by quoting the previous soloist that the guy can play almost anything that happens to enter his head.
11 of 11 found the following review helpful:
One of Stan Getz' greatest recordings Aug 27, 2003
Certainly the previous reviewers have said it all, but I'll simply add that Getz' tone seems to actually benefit (or his playing does) from the lack of a percussionist - even though Herb Ellis' 4/4 may qualify - much as it did 3 decades later with Kenny Barron on "People Time". No, this is even better. "Pennies From Heaven" is absolutely flawless with Stan soaring both before and, especially, after the key change. The "Ballad Medley" is gorgeous. Oscar plays perfectly under Stan when needed and doesn't overpower even when he could on his solos. Ray Brown and Herb Ellis fit like a glove. This was one of my favorite LPs, even though it was mono - but as a CD, in stereo, and with a whole 30 minutes of material that was not on the LP, it ranks as one of my top 10 out there. Beautiful!
See all 37 customer reviews on Amazon.com
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