I was listening to the WXRT here in Chicago the other day, and Lin Brehmer, the morning DJ, had just played the first cut on Moondance, "And It Stoned Me". The song ended, and Lin read the titles of the first five songs on the disc, then he said, "If that is not musical genius, I don't know what is". I think Lin hit the nail on the head.

Moondance is an excellent album. The songwriting and the arrangements combine to form a mood and a feeling that is so distinct, so ephereal and relaxing, you feel like you are in another time and place. Listen to the song Moondance on the radio, and you may tire of it soon. Listen to it in the context of this album, and you will understand that it was written by a young man who was writing about his time, his life, his relationships.

This album has been written about many times, by writers whose skills far outweigh mine. Let me just finish by saying that Moondance is a special album, filled with special music. Buy it, and it will be special for you, too.

85 of 93 found the following review helpful:


30 years later, people still want to have this MOONDANCE  Aug 28, 2001 By 30-year old wallflower "Eric N Andrews"
Everyone knows that Van Morrison first started his musical career as a blues-shouting frontman for the highly-underrated British rock band Them. It was during that time that Van wrote such rock standards as "Gloria" (sing it with me, everybody! G-L-O-R-I-A!) and "Mystic Eyes". When Them broke up, Van began a somewhat rudimentary solo career with the pop chestnut "Brown Eyed Girl", which even though it may be a little too pop for the now-very-deep-in-his-R&B-roots Van, it remains a rock classic. His follow-up ASTRAL WEEKS (1968) was one of the most enchanting pop albums ever recorded, and even though it had no hits, it is rightfully been considered as one of the best albums of any genre. For the follow-up, Van decided to venture back into his R&B and jazz roots with MOONDANCE (1970). The fact that it is so high on the Amazon Sales Rank (#399 as of this writing) sure is amazing, for even those people who are listening to artists who could be Van's grandchildren (he just turned 56) are realizing the magic that is MOONDANCE. The album is just as beautifully-executed as ASTRAL WEEKS, but it's less improvised & made of more songs than stream-of-consciousness exercises. The first side of MOONDANCE is made up of songs that are widely recognized outside of the context of the album, and are some of Van's best songs in a career filled with many. "And It Stoned Me" starts out automatically with a vocal from Van that is as restrained as ASTRAL WEEKS, but still rather soulful like he was in his Them days. This is the perfect song to listen to on a warm summer Sunday. And no, stoned doesn't have anything to do with marijuana, but something more metaphoric. Next is the title track that is by far in the top echelon of Van's classic songs. You'll immediately get the feeling of dancing with your sweetheart in the moonlit night, and who knows you may be making a track back to his house later on, if you know what I mean. It's the same with "Crazy Love" where the romanticism of this track is nothing less than intoxicating, and I'm sure one listen to this song will turn anyone to putty. An excellent wedding song, too. Those who listen on will get to the more uptempo (if you can call it that) "Caravan", which once again has Van in his soul-belter mode. But if you thought those four songs were well known & legendary, "Into The Mystic" almost steamrolls those songs in that respect. Articles have been written on this song alone, and while that may be overstating it, that only proves why this song is so loved, because "the mystic" could be just about anywhere for us. The closing line "It's too late to stop now" would inspire the title of Van's live album (1974). The second side is not very recognizable, but it does have some highlights. "Come Running" was the only song on this album to become a top 40 hit(!), and while it may seem a bit slight, it showed that AM radio may have been behind Van Morrison to some extent. "Brand New Day" is probably the most soulful of the bunch, with it having a hint of gospel as well. Maybe Sting was inspired by this song to create his own "Brand New Day". Those may be the best of side 2, but MOONDANCE as a whole is a well-deserved classic. Even if its commercial success was somewhat limited, it's made just about every critic's "Best Albums of All Time" list, so that may be some redemption. Even if Van Morrison retired after this album, his place in rock history would be assured, but 30 years later, he's still going strong releasing albums at a time in his life when most people would be resting on their awards. But while Van may continue to release some quality music well into his golden years, chances are MOONDANCE will still rank as one of the best albums of not only his career, but pop music too.

25 of 26 found the following review helpful:


Simply flawless  Aug 01, 2002 By P. Nicholas Keppler "rorscach12"
Van Morrison's 1970 classic, Moondance, is the rarest of beasts, a wholly substantial and completely consistent rock album. Never on this spell-binding LP is there a clichéd or superficial lyric, a lazily-sung word, an unnecessary instrument in the accompaniment, an instance of fabricated artistic posturing and nowhere on Moondance is there a song that is not completely outstanding. Casual classic rock listeners are probably familiar with the dreamy "And It Stoned Me" and the jazzy title track, but none of these ten songs would sound out of place on a best-of collection. Even lesser known songs such as the bopping "These Dreams of You," the emotion-rendering "Brand New Day" and the simply breathtaking "Into the Mystic" are compositions strong enough to rival Lennon/McCartney. On Moondance, Mr. Morrison obviously reached a zenith of artistic maturity and focus. The album is a perfect ten.

21 of 22 found the following review helpful:


FINALLY REMASTERED! BUT ONLY IN JAPAN! WHY, EDGAR, WHY?  Sep 22, 2008 By BOB
The good news?

20+ years after their debut on CD, FINALLY, there are full remasters of Moondance, Street Choir and Astral Weeks.

The bad news?

They're not available domestically from Warner Music Group USA: All three were released in June 2008 by Warner in Japan only, and Amazon is only now getting around to making them available in the U.S.

The catalog numbers for the three Japan Warner remasters are WPCR-75419, -20 and -21, which streeted in Japan on 6/25/08. Be sure that you use the links (Street Choir and Astral Weeks will function after 9/30 when Amazon adds them into stock) I have provided above, as Warner Japan has previously released non-remastered versions of all three titles (also listed here on Amazon), and you don't want to make an expensive mistake.

These classic albums, which we have all waited so long to be brought properly into the digital world, now, unfortunately, join fellow Warner artists such as Tower Of Power, Ry Cooder, The Doobie Brothers, Neil Young, Van Dyke Parks, Little Feat, America, Annie Haslam, Everything But The Girl, Todd Rundgren, Cold Blood, Paul Butterfield and many others, whose either partially or wholly remastered catalogs are only available off-shore.

Pathetic.

The responsibility for this is ultimately Edgar Bronfman, Jr., the CEO of WMG USA. Instead of focusing on WMG's core music catalog, he's busy extolling the virtues of consumer-oppressive DRM, over-paying P-Diddy tens of millions of dollars, and in June of 2008, revealed as losing another $30 million of WMG funds in promoter Joe Meli's mad scheme to charge $15,000 per person to attend a swank, exclusive, five-act concert series in the Hamptons. These are only a few of many excesses this guy has perpetrated at WMG, presiding over a spectacular loss of investor equity since the 2005 WMG IPO, while he and his investors have lined their own pockets.

This year, Universal is staging a 28-title Van Morrison catalog re-release, all remastered with bonus tracks. You'd think SOMEBODY at WMG would be smart enough to pilot-fish that momentum with these three seminal titles. At the very least, how hard can it be to obtain the existing, completed remasters from a Japan subsidiary and make them available in the U.S.?

All of this is no surprise to WMG, or ex-WEA, insiders. Internally, Warner policy was always that the majority of consumers were going purchase popular catalog titles anyway, so why waste profits to remaster them? WEA sales employees were told this directly by Warner management as far back as the early 90's, and Bronfman's regime simply status-quo'd that odious philosophy.

This is what happens when bean-counters run record companies.

But, I guess Edgar & Co, too preoccupied with moguling the mess they've made of a once-great record company, can't see the opportunity: As of this writing, no WMG act has any major position on the charts, and artists, alienated by WMG's all-finance-dominated mentality, are departing for pastures where music still has some modicum of corporate consideration.

What a waste.

WMG could borrow a page from Sony, who established a successful business model out of sonically-upgrading their catalog over a decade ago. The only major Columbia Records artist that comes to mind, whose catalog hasn't been remastered, is Springsteen... and you have to believe that's not by Sony's choice.

Bottom line, Edgar? If you don't believe there's no positive revenue to be generated by offering a better product, then you've no business being in that business.



14 of 14 found the following review helpful:


not quite there  Nov 04, 2008 By Derek Jemsen "daj38"
Having eagerly awaited the release of these as remasters, I quickly purchased the 3 classic Van albums , Astral Weeks, Moondance , & His Band & Streetchoir in their new Japanese remastered format . I was slightly disappointed with the results as they are only marginally better then the domestic titles we have had for years. I wonder if they were remastered from first generation Master Tapes or simply a new reworking of the same old masters. there is no mention in the liner notes of having been redone by any person, the only place you will see mention of any remastering is in the Obi strip along the side . My advice would be to hold off on these and see what else comes unless you are a devote Van fan that perhaps the slight improvement is worth it for you

See all 186 customer reviews on Amazon.com