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84 of 91 found the following review helpful:
 A flawlessly diverse mind-blowing classic Feb 17, 2005
By Alan Pounds
"Al's Music & Movies"
Imagine turning out four of the most successful and groundbreaking heavy metal/blues-rock albums of all time, only to go on turning out more outstanding material. Very few bands in history have consistently delivered mind-blowing albums one after the other for an extended period of time the way Zeppelin has. Zeppelin had invented the sound of the decade, and by 1973, they were really ready to spread their wings (as if they hadn't already).
"Houses Of The Holy" follows the same foot steps as "Led Zeppelin IV", but the approach is much more easy-going. Jimmy Page's riffs range from folk hooks as well as his classic blues-rock hooks, giving the album a lighter and looser feel. The album kicks off with epic "The Song Remains the Same". "The Rain Song" is a moody, meandering tune, sprawling progressive rock arrangements touching on classical music, jazz, blues, and folk, as well as hard rock. Robert Plant's vocals are soulful and heartfelt. "The Rain Song" also shows Jimmy Page's growth as a producer. "Over the Hills and Far Away" was a further progression away from the band's original heavy blues into more diverse arrangements. The acoustic introduction is a variation of Jimmy Page's own "White Summer," which was highly influenced by Davey Graham's "She Moved Thro' the Fair." The affectionate James Brown send-up "The Crunge," one of my favorites, really adds to the diversity of the album. "Dancing Days" gives you a solid taste of their classic hard rock strut. The reggae-influenced song "D'Yer Mak'er", featuring John Bonham's driving drums makes for an exceptional love song. The song was released as a single and reached the top 20, staying on the charts for total of eight weeks. Zeppelin's spooky "No Quarter" is a jazz, bluesy jam. The songs starts off with John Paul Jones' electric piano, reminiscent of the Doors' "Riders On The Storm". The song jumps into Bonham's hard-hitting drums, then leads into Page's blues-rock riff, backed by an analog synthesizer. Plant paints a picture of creepy images within his soaring slowed-down vocals. "The Ocean" makes for a great closer, featuring a funky guitar riff from Page, into an a cappella, going out swinging.
It's hard to pick a "best" Zeppelin album. Usually my favorite is the one I am currently listening too. "Houses Of The Holy" lives up to the reputation of their first four masterpieces. They took a chance and were unfazed by the spotlight. This album adds dramatic influence to heavy metal, blues-rock and hard rock as we know it today. Don't miss out on this flawless classic.
47 of 50 found the following review helpful:
For some reason it's a great summer album Apr 20, 2000
By Sal Nudo
Ah, 1973: It was the year I was born, Pink Floyd put out the seminal Dark Side Of The Moon, and Led Zeppelin's arguably best release, "Houses of the Holy," also came out. The urgent opening riffs on "The Song Remains the Same" signal great things to come. Jimmy Page does some marvelous twin guitar work, Robert Plant has an almost Chimpmunkish yelp, and we're off and running. "The Rain Song" quickly tones things down, a soothing, dreamy tune sprung from the South Carribean, with strings in the background for further relaxing effect. "The Rain Song" might be Zeppelin's best acoustic song ever.
Like Pink Floyd, Zeppelin refused to releasing songs as singles. And yet, structured pop shines through on the folkishly delightful "Over the Hills and Far Away," the fun rock jingle of "Dancing Days," and the reggae- flavored "D'yer Maker." "No Quarter" contains a dimmer vibe, filled with buzzy guitars, a brooding piano, and Plant's isolated voice coming through in distorted tones, like a man coping with deep depression. Midway through, John Paul Jones plays a beautifully serene piano, only to give way to John Bonham's smooth rhythmic drum kick. The band's cohesiveness is at an all-time high here, as everyone involved gets to subtly show off. There's nothing coy about the next sublime rocker, "The Ocean," which anybody with half a heartbeat could stomp along to.
"Houses of the Holy" may have been Zeppelin at its height; the band could have called it quits after this record and still be assured easy classic-rock status. It's simply another great Zeppelin album that adds to a string of greats. The guys kept their style simple, yet branched out a bit and explored new avenues. Some would even say that all Zeppelin albums after this one were pleasant icing on the cake. Of course, the same thing has been said about Pink Floyd after 1973, as well.
14 of 15 found the following review helpful:
Zep 5 Apr 17, 2001
By Thomas Magnum
Houses Of The Holy is probably the most melodic of all Led Zeppelin's albums. The album has full and layered sound that relies more on the band's powerhouse rhythm section of John Paul Jones and John Bonham than on Jimmy Page's guitars. Don't worry though, Mr. Page's powerhouse riffs abound throughout the album, but they are deftly mixed in to create a bigger sound. Mr. Jones' keyboards are found in heavy doses which is a welcomed thing. "The Crunge" is a James Brown tribute that has a loose, funky feel and "Over The Hills & Faraway" is a driving rocker. "Dancing Days" has a melodious beat with a stinging guitar and "D'yer Mak'er" is a reggae influenced song and is one of the few Zeppelin songs you can actually dance to. "No Quarter" is the most mystical and darkest of all of Zeppelin's songs. The music has strange keyboards and Robert Plant's voice is so distorted that is sounds like he's singing under water. The lyrics are Tokleinesque in nature and the song is a mini masterpiece. The album closes out with the thumping "The Ocean". Houses of The Holy has another infamous Zeppelin cover and brought them back to number one.
32 of 39 found the following review helpful:
My favorite Led Zep album Mar 18, 2003
By Ensio N Mikkola
"book worm"
"The Song Remains The Same", "The Rain Song" and "Over The Hills And Far Away" are, in my humble opinion, the best songs the Zeps ever recorded. A sensual bluesy rocker, a gentle acousting tapestrie and a folk song ...funky hard rocker, these might not be the most played Zep tracks ("Stairway to Heaven" and "Kashmir" still hold that distinction), they are certainly some of the best. Almost everything about them is perfect, every guitar track, every bass line, every drum beat. It would be worth getting this CD just for these tracks.What about the rest of the album? It's quite good. There's some stuff here that'll make you roll your eyes up, like the silly funk workout, "The Crunge" and the catchy but stupid "Dancing Days." But listen to Plant get down with da riddim, mon as he play some of dat reggae in "D'yer Mak'er" (pronounced "Jamai'ker") "No Quarter" is definitely the creepiest Led Zep song ever recorded. It's so ominous, foreboding and mournful that it could have been recorded by Black Sabbath in one of their more experimental phases. "The Ocean" is a fun rock work out that'll get stuck in your head. But really, they could have just recorded sounds of the bands farting and telling bad jokes and I'd still love "Houses of the Holy" because of those first three tracks I mentioned. Can you dig it?
9 of 9 found the following review helpful:
No name on the cover but the names remain the same Sep 18, 2004
By Lawrance M. Bernabo
With this 1973 album Led Zeppelin continues to cause trouble by offering an album cover by Hipgnosis with naked blonde children climbing a bunch of rocks without any reference to the title or even the name of the band. The group figured everybody would know about "Houses of the Holy" and insisted on finding new ways of tweaking their noses at the music business beyond producing songs that were way too long for AM Top 40 airplay. There were those of us who were just happy that there was an official name to Led Zep's fifth album after the previous one was known variously as "Led Zeppelin IV," "Runes" and "ZOSO." "House of the Holy" is very similar to that album in that once again there are no length blues tracks as you would find on their first three albums, although we do have John Paul Jones playing with his synthesizer on "No Quarter," which became his signature song.
What we do have are more examples of Led Zep's version of rock 'n' roll where the bass lines and Bonzo's drumming come up big with "The Ocean" (I like the odd little a cappella section) and "Dancing Days," as well as the folk influence on the acoustic beginning to "Over the Hills and Far Away." We even have one of the better examples of Led Zep being cute with "D'yer Mak'er" ("Me wife is going on vacation." "Jamica?" "No, she's going of her own free will...") and the group's first attempt to try to duplicate the success of "Stairway to Heaven" with the lush synthetic strings of "The Rain Song." Actually, I think the opening track, "The Song Remains the Same" is a better effort along those lines, covering much more ground both musically and vocally. You always get the feeling that Jimmy Page is always looking for the perfect song to not only start off an album but to open a concert, which probably makes it ironic that the song they apparently used most often was "Rock and Roll," the second track from their fourth album. Overall, "Houses of the Holy" is probably the best of the second level Led Zeppelin albums
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